A selection of poems against hate and injustice in the time of Trump, most drawn from online journals that have made a point to publish political poetry in the months since the election. Journals include: Heavy Feather Review; Yes, Poetry; Love's Executive Order; Banango Street; DIAGRAM; Pinwheel; BOAAT; Dryland; Poetry; and The New Inquiry. The playlist draws its title from Hanif Willis-Abdurraqib's poem of the same name.
These are poems about being haunted, about addiction, obsession, curses, madness, decadence, and mourning.
Syria's capital has recently been in the news as a wounded city. I thought to celebrate it in Verse by creating a Playlist of Nizar Qabbani’s poems in translation. Qabbani (1923-1998) was born in Damascus. His poetry spanned numerous topics and themes, erotic or political, most importantly a celebration of love, for him closely entwined with the written word. The aim of his work was "to free the soul, body and senses", held prisoners in this area of the world. Many who do not read poetry are familiar with his work through popular songs such as the daring affirmation of faith “I testify that there is no woman but You”. Qabbani died in London but wished to be interred in Damascus. In his will, he described his native city as “the womb that taught me poetry, taught me creativity, and gifted me with an alphabet of jasmine flowers”.
A H_NGM_N Playlist for the First Half of 2017
Poets have long drawn inspiration from visual art, and more recently, film. These poems are inspired by, connect to, and create new relationships with film and cinematography, and include topics such as Valley of the Dolls, Izo, Chaplin, James Bond, Gone With the Wind, & Pierrot Le Fou.
This playlist includes both poems written during & about the Civil War.
This playlist brings together poetry written by women poets from before 1500, many of which you may have never heard of.
For more from early women writers, see: https://entropymag.org/women-writers-from-before-1500-that-youve-probably-never-heard-of
Info on the poetic form of the villanelle: https://www.poets.org/poetsorg/text/villanelle-poetic-form
Because of the complex repetition of lines, it has been suggested that the villanelle is often used to deal with obsession and that the relationship between repeated lines creates a feeling of dislocation and “a paradigm for schizophrenia.” - https://en.wikipedia.org/wiki/Villanelle
A period of musical, literary, and cultural proliferation that began in New York’s African-American community during the 1920s and early 1930s. The movement was key to developing a new sense of Black identity and aesthetics as writers, visual artists, and musicians articulated new modes of African-American experience and experimented with artistic forms, modernist techniques, and folk culture. Harlem Renaissance artists and activists also influenced French and Caribbean Négritude and Negrismo movements in addition to laying a foundation for future Black Arts champions like Sonia Sanchez and Amiri Baraka. — Poetry Foundation (https://www.poetryfoundation.org/resources/learning/glossary-terms/detail/harlem-renaissance)
Read: The Negro Artist and the Racial Mountain (1926) By Langston Hughes (https://www.poetryfoundation.org/resources/learning/essays/detail/69395)
Read: The Black Poet as Canon-Maker by Elizabeth Alexander
(https://www.poetryfoundation.org/features/articles/detail/68438)
Los Angeles, as a sprawling metropolis and ever-changing landscape, boasts a diverse and engaged community of poets and writers. This playlist features some of the contemporary poets writing in the scene today.
"We are living in the apocalypse. The first moment of time was the first moment of apocalypse and death. Please, don’t fear the apocalypse."
- László Krasznahorkai
"Before me there was no time, after me there will be none.
With me it is born, with me it will also die."
- Daniel von Czepko, Sexcenta Monidisticha Sapientum III, II (1655)
“The world I create in writing compensates for what the real world does not give me.”
– Gloria E. Anzaldúa
“To imagine a language is to imagine a way of life.”
– Ludwig Wittgenstein