Earth
Playlist by The Song CaveWith patience and precision, Hannah Brooks-Motl's third collection of poems, Earth, explores the grand themes of love, family, economy, and home with the skill of a true craftsman. As the measured compositions of these poems shift, so do their near-sculptural forms, and a feeling both classical and contemporary develops as a result. At times a paean to poetry, other times a critique of it, Earth is a breakthrough collection by a poet whose ceaselessly sharp intellect continues to use poetry to gain insight into not only her own wants and needs, but ours, and those of poetry itself.
Earth
Nothing radical about that technologyNobody touches this eraCould u fnd a homeKnow my brotherWho has a mind tooHas a portion
Going
We were onthe Taconic Parkwaygoing souththrough where Bard isor not that farnot evento Poughkeepsiewhere Vassar isnot to whereit got widergoing throughthe nettlesgrasses and beechthe somethingkilling pinefor 45 minutesthen only 20 moremiles pastthe cheap houseon pretty hills
blue mountainsbeyondthe slicing road.In Dutchess countyI considered my life.Ownershipwas impossible!Enchantmentbent awayfrom the worm.Law traveledthrough gorges,the ravines.All wealthdisappearedbut into whichpocket? Two cabinsaround a stumptrying for amoral vocabulary.An equivalentof mind
emptied by applepicking, plot.It was goodin the dirtthough we didn’tjudgethe dirt.There wasa hawkup there.A womanin a truckjust heroic.There’s some turtlein the road. Birdsfat birds.Years aloftin the mirage.A denser richerinside ora tangleddark bush.
Froth, then production.Downfall to ownand to notsaid the travelerfrom the edgeof the country.Perfectly watchful,a little bitchy.His porchwhere history diesin a mouthwon’t producea singing people.One situation arrived.An asbestos barnarrived, tendervehicle.A black paintedawning, this injurysomehow relatedto college.
Ability was bringingthese typestogether and putting deathat the bottom.Or walking throughone of those hangingbead walls.A million tatteredripped chairs.A sad faceand a smiley face.Apprentices instructingeach otherin mimesis.The visible beingone elementof its sentence,nature plantedroot vegetablesperformed lifefrom memory.
Fed our moleculesto the vaultthen history tookthat mixture.I wrote to youfrom the commoncrawling upto an income.You repliedthat techniquecontainedplenty, caughtthe taxias it disappearedfrom language.And this collectiblespoonfrom the formerdemocracies;and that toddlerarranged fetchinglyaround the drip
candles.I’m reallybriefpassing through.Of by itself—A drying rack.A canoe no a kayak.Jutting away towardthe housein Dutchess countyI heardyour coughfrom the outsideleavinga taskunaccomplished.
Capitol
Magic circle of horses + magic funicular. heaps of stuff being sold. freedom to trace this petty action.where do we go now?floated up there along you abandoning youwho was able for better floating, our living + one mother’s voice, magic little river. heaps of stuff being sold. the ones who seemed like dicks like Michelangelo or just “consummate artists”— vegetables out on the ground.dogs chilling in their roundabouts. so it was coming from the corn the sun prairies to the maze / to the faceswithout haloes .the wing yellow into white + yellow mint.motif of garden or pocketwhile the fog rolls in nomagic from the bunker or what’s coming but magic
said she to be aliveat all. the earthplunged in into rooms.while they worked in shops, made something we would call clog or carvedmessages to outer space
upon boxes of varying dimensions. involved their bodies and bodiesof children in apparatusesfor days or weeks or years.+ from obscure movements sent out trinkets, clothing, God. when he died everyone paused to take a little stock, his brief remarks were read aloud. energetically the dark converseslike magic thecasino. carousel + emptypyramid. metal barricades, old country baroque music + lithium. long walk for food.
“the future is hidden.” (Kropotkin) as one retires to her quarters the narrative gathers power + people remain. meanderthrough blood. deciding between the social goods. “meaning and confusion are both beautiful.” (Goodman) + late at night or the mean cashierold markets where a general idea of many became sick unto the reality of one. the turquoise tarp
housing some pigeons. that property of the baron’s, still there on the moon.