Boyish
Playlist by Brody Parrish Craig“The poetry of Boyish exists in that sweet spot between subconscious and cosmos, where the mind can catch any inch of oppression and turn it into music. A genius, Craig, operates a ghost rail line; gut-wrenching rendition of ‘Stormy Monday’ driven in next to the steel. A book built with lightning, whispered in the soup-line, reading your fortune through scattered tossed bones and bayonet fragments. Watch the best friend you could not protect from a merciless onslaught of violent American hegemony, save their self and become one of the greats; proving that poetry is the cradle that society never mentions.”
—Tongo Eisen-Martin, author of Heaven Is All Goodbyes
Bible | Vers
Top to Bottom | scan my profile | For Christ’s Sake | Sing Jesus’ Name | I gospel & apostle | Book of Vers | My rural bottom’s up | My crop/top | down along the road|a hym(n) in hymn | this earth-bound angel | prophet/apocalyptic | horse | I ride | through town | tonight thinking of men | I meant to be | To Be | a hand that holds | a deal/another | made with bibles | a multitude | of Fingers | marking place | between | them & their Vers—| this vers | of red script brought | up by you | Bluff & Blush | the metaphor for | Christ | this rock | I crawled out/under | To Be | free—
Every Grrrl Has a Vision of Hir Ward-robe
He said my thighs were boyish, big, said less to crush you with. He claimed my body was a roadmap. Complicated to read without clear-cut direction, without consciousness, I turned over like a cheek & found a cig-burn on my back’s blade. He said I was a hot one, crush of filtered, photo, semen’s spring.
Splayed across the front seat, cock blocked view of the oncoming road. When he pulled out & over on the shoulder, I skirted strangers’ questions. O ring cheap scar smoke eye gallop tripping over six eyes, sex legs, crushed mouth, nip slip, evidence, so many tongues, so many
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Tongues. So many tongues to strip from shoes, so many strings to take out bagged possessions. Ward-Robe, white gown, white sheet, white page, in the ward we ghost inhale & ghost exhale the thought if only I was King here with my idle hands pulled on the shoulder waiting for headlights to flick or brain-fire to be put out.
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We put out & we live by promises of rings & fingers in the right spot good job G strings are prohibited inside the ward no strings but men here laugh say fuck me baby as I beg the nurse to leave me nightingales say here say have a Quiet Room they cough up a cement cell they tell me here come cry in do not threaten, call for help.
I call for help over & over on the land line ask for the extension of the agents of the arm of god my King says firecrotch. Says firearm. Says fired, fired, fired. I fire all the men with reclaimed wood & hobblehorse. Then, some patriarchal god sweeps in & tells them No, I got your back.
If I turn back take back buy back tonight I won’t weep won’t
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Weep))
My iris is a waterbed to poke a hole in
like a condom would be broken leak of fluid
am I really
just a boy turned over like a mouth a stone inside the park that we flip over to find some worms in there
the wormhole is under my body’s stone brim like a furnace
flip me over & I speak so many tongues
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My hobby: dress I kill & later tell it sorry, sorry, sorry, sorry this my neckline con- fessional why don’t you scoop out every inch of fabric of my being / my lost sheep little boy blue ball blue in the iris my ringed pupil yes we clouded judgement vision this here number you can call or even number you can be perhaps statistic call tonight if you are lonely me myself
my hot line & my vein the roofie wafer body worm hole wound-well-open Baptists dipped their hands in me said O my idol-grrrl my idol how many licks years does it / will it / take & does it take the edge off take the edge off of a blotter / white the black-out
body out / to take communion tonight my bible curled to ash a snake’s tongue splitting at the seams I locked the four men in the fire though I only know the names of three. Despite, for every crime I see Abednego won’t burn.
The Shape I'm In
Hidden in father’s wardrobe suit & tied my tongue Mouthed off to every man I drank under the tables Flipped the temple chairs & stools I split my side A seam I spilt it all & laughed off blood U stained my dress glossed over lip & hymn I glossarized the strains
of weeds in papaw’s garden & on the dealer’s scale one night I mapped My stranded hair & clogged the sink drain with my shadow I popped open another body like a beer tab like a pore I wept through puberty & puberty as if I was a second coming
on a neighborhood watch list The Boy Next Door swears on the bible I’m my own new B/F in the driveway, Hungers for me like a meal I’m better missed miss, can you please respond to my last question? Can you answer my last fifteen txts?
If I’d told U in a deeper voice about the voice inside my head The Choir Boy in me who ran & crossed your red-filed nails, Suburbia, If I told you the holes in my story weren’t full of taffeta or sacrifice but slaughter, gauze, I told U they were
not the ones you think of I want to name the Hymn in me like water’s shadow of the valley mine & Want & Take & Want I want to take a moment to acknowledge the shape I’m in & Take a lifetime to acknowledge the shape I’ll make
Traverse
I open the curtain; I close the curtain. I go to therapy; I go to the store. I fill the intake forms in purple gel pen to make it through the inventories. Awake, all night, I remember new pieces of iinformation. I buy a rod to assist in opening & closing the curtain. I look outside the window.
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Call me Angel. Call me Dust. I am a dime. A dime bag. Minnow. Something silver. Something silver. Sinking in the body. Of the river. Change. The men we carry in our hips. Who carry us down stream. Who carry us down stream and skim the skin. The skin. That night I was. That night I was a grl. Supposedly no angel. I treaded, tread, am treading rapids, rapid, dark; I am here again to ask you nicely: am I a wake, awake, a wake.
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I have always been called ‘sensitive.’ I see a stage; I stand on it. I remember my mother pulling me from the staircase: “stop crying”; “you’re making this up”; or “for attention”. I find a curtain to open, to close. I bow. I clap. I stand near the curtain. Some body calls this art. Some body calls this grief. Some body calls this another meaning -ful or meaning -less performance. Some body calls my phone and it rings and rings.
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snap out of it snap fingers cracked blown piece into the glass snap out of it laced weed & pop of PCP into the glass snap out of it snap fingers cracked bowl cherry Babe
says any wing-man can (flip) on or for a dime I am a dime
bag or a minnow in the body in the river (flip) in quiet moments when I see your kids’ faces & (flip) inside the moment when you handed over their picture menacing “I’ll use a condom kiddo—" (flip)
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I wonder if the cashier at Arby’s has trauma too. I almost ask them but instead thank them 3 consecutive times in the drive-thru, you know, just in case. I hold my large ice water in both hands. Think of a cool glass of water, there are many grounding techniques—I suggest you carry water with you when you write. when your body’s had enough, too much, take a sip and listen to your throat slake. taste the cool and trail it through your spine. I have spent five days and nights avoiding my assignment. An impact statement. Not details, but how the incident changed, continues to change, my life.
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If I should die before I wake, (flip) me on my back like a good wing-man. Else err on the side of caution tape I’m sorry to the mirror. Play the fault line over yes (flip) over & again. I’ll shave my head to skull to (flip) the tape the movie memory made bare. Bare back get back (full-stop) & (flip) over & again. To (flip) every image that comes back in speck of glass shoved in a hand a foot a foot-hold. (flip) the shattered self & fuzzy feeling. (flip) the scripture that skin reels away. The skin that reels away like film like story marquee trauma (flip) into the glass. No longer on the cutting edge, shrink-wrapped I rarely come undone.
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We’ll start with the hardest, deepest rooted. if you’re willing. then go from there. To hold truth like a curtain. A little flapping lid. My eye. my I. My I: another stage. Another stage; I’m going through.
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When I walked into the white-vased room of the asylum. When my roses were at war & blooming bloodshot on the smallest dark green plastic bed. When the nurses called my halos areolas.
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If I Should Die Before I Wake, please (flip) me on my back. I’m back. No good wing- man ever made of angel dust & weed; I dust the record off. To voice over our past, play god & ghost, to ghost, to write, to ghost-write. A new version. To open the curtain. To close the curtain. The flutter in the lid. I open the curtain; I close the curtain. I go to therapy. I go to the store. Some body calls my phone. I answer quickly when it rings.