When first I saw our banner wave
Above the nation's council-hall,
I heard beneath its marble wall
The clanking fetters of the slave!
In the foul market-place I stood,
And saw the Christian mother sold,
And childhood with its locks of gold,
Blue-eyed and fair with Saxon blood.
I shut my eyes, I held my breath,
And, smothering down the wrath and shame
That set my Northern blood aflame,
Stood silent, where to speak was death.
Beside me gloomed the prison-cell
Where wasted one in slow decline
For uttering simple words of mine,
And loving freedom all too well.
The flag that floated from the dome
Flapped menace in the morning air;
I stood a perilled stranger where
The human broker made his home.
For crime was virtue: Gown and Sword
And Law their threefold sanction gave,
And to the quarry of the slave
Went hawking with our symbol-bird.
On the oppressor's side was power;
And yet I knew that every wrong,
However old, however strong,
But waited God's avenging hour.
I knew that truth would crush the lie,
Somehow, some time, the end would be;
Yet scarcely dared I hope to see
The triumph with my mortal eye.
But now I see it! In the sun
A free flag floats from yonder dome,
And at the nation's hearth and home
The justice long delayed is done.
Not as we hoped, in calm of prayer,
The message of deliverance comes,
But heralded by roll of drums
On waves of battle-troubled air!
Midst sounds that madden and appall,
The song that Bethlehem's shepherds knew !
The harp of David melting through
The demon-agonies of Saul!
Not as we hoped; but what are we?
Above our broken dreams and plans
God lays, with wiser hand than man's,
The corner-stones of liberty.
I cavil not with Him: the voice
That freedom's blessed gospel tells
Is sweet to me as silver bells,
Rejoicing! yea, I will rejoice!
Dear friends still toiling in the sun;
Ye dearer ones who, gone before,
Are watching from the eternal shore
The slow work by your hands begun,
Rejoice with me! The chastening rod
Blossoms with love; the furnace heat
Grows cool beneath His blessed feet
Whose form is as the Son of God!
Rejoice! Our Marah's bitter springs
Are sweetened; on our ground of grief
Rise day by day in strong relief
The prophecies of better things.
Rejoice in hope! The day and night
Are one with God, and one with them
Who see by faith the cloudy hem
Of Judgment fringed with Mercy's light

Abolition Of Slavery In The District Of Columbia, 1862

In the old days (a custom laid aside
With breeches and cocked hats) the people sent
Their wisest men to make the public laws.
And so, from a brown homestead, where the Sound
Drinks the small tribute of the Mianas,
Waved over by the woods of Rippowams,
And hallowed by pure lives and tranquil deaths,
Stamford sent up to the councils of the State
Wisdom and grace in Abraham Davenport.

'T was on a May-day of the far old year
Seventeen hundred eighty, that there fell
Over the bloom and sweet life of the Spring,
Over the fresh earth and the heaven of noon,
A horror of great darkness, like the night
In day of which the Norland sagas tell,

The Twilight of the Gods. The low-hung sky
Was black with ominous clouds, save where its rim
Was fringed with a dull glow, like that which climbs
The crater's sides from the red hell below.
Birds ceased to sing, and all the barn-yard fowls
Roosted; the cattle at the pasture bars
Lowed, and looked homeward; bats on leathern wings
Flitted abroad; the sounds of labor died;
Men prayed, and women wept; all ears grew sharp
To hear the doom-blast of the trumpet shatter
The black sky, that the dreadful face of Christ
Might look from the rent clouds, not as he looked
A loving guest at Bethany, but stern
As Justice and inexorable Law.

Meanwhile in the old State House, dim as ghosts,
Sat the lawgivers of Connecticut,
Trembling beneath their legislative robes.
"It is the Lord's Great Day! Let us adjourn,"
Some said; and then, as if with one accord,
All eyes were turned to Abraham Davenport.
He rose, slow cleaving with his steady voice
The intolerable hush. "This well may be
The Day of Judgment which the world awaits;
But be it so or not, I only know
My present duty, and my Lord's command
To occupy till He come. So at the post
Where He hath set me in His providence,
I choose, for one, to meet Him face to face,
No faithless servant frightened from my task,
But ready when the Lord of the harvest calls;
And therefore, with all reverence, I would say,
Let God do His work, we will see to ours.
Bring in the candles." And they brought them in.

Then by the flaring lights the Speaker read,
Albeit with husky voice and shaking hands,
An act to amend an act to regulate
The shad and alewive fisheries. Whereupon
Wisely and well spake Abraham Davenport,
Straight to the question, with no figures of speech
Save the ten Arab signs, yet not without
The shrewd dry humor natural to the man
His awe-struck colleagues listening all the while,
Between the pauses of his argument,
To hear the thunder of the wrath of God
Break from the hollow trumpet of the cloud.

And there he stands in memory to this day,
Erect, self-poised, a rugged face, half seen
Against the background of unnatural dark,
A witness to the ages as they pass,
That simple duty hath no place for fear.

            -    -    -    -    -    -

He ceased: just then the ocean seemed
To lift a half-faced moon in sight;
And, shore-ward, o'er the waters gleamed,
From crest to crest, a line of light,
Such as of old, with solemn awe,
The fishers by Gennesaret saw,
When dry-shod o'er it walked the Son of God,
Tracking the waves with light where'er his sandals trod.

Silently for a space each eye
Upon that sudden glory turned
Cool from the land the breeze blew by,
The tent-ropes flapped, the long beach churned
Its waves to foam; on either hand
Stretched, far as sight, the hills of sand;
With bays of marsh, and capes of bush and tree,
The wood's black shore-line loomed beyond the meadowy sea.

The lady rose to leave. "One song,
Or hymn," they urged, "before we part."
And she, with lips to which belong
Sweet intuitions of all art,
Gave to the winds of night a strain
Which they who heard would hear again;
And to her voice the solemn ocean lent,
Touching its harp of sand, a deep accompaniment

Abraham Davenport

’Midst the men and things which will
Haunt an old man’s memory still,
Drollest, quaintest of them all,
With a boy’s laugh I recall
Good old Abram Morrison.

When the Grist and Rolling Mill
Ground and rumbled by Po Hill,
And the old red school-house stood
Midway in the Powow’s flood,
Here dwelt Abram Morrison.

From the Beach to far beyond
Bear-Hill, Lion’s Mouth and Pond,
Marvellous to our tough old stock,
Chips o’ the Anglo-Saxon block,
Seemed the Celtic Morrison.

Mudknock, Balmawhistle, all
Only knew the Yankee drawl,
Never brogue was heard till when,
Foremost of his countrymen,
Hither came Friend Morrison;

Yankee born, of alien blood,
Kin of his had well withstood
Pope and King with pike and ball
Under Derry’s leaguered wall,
As became the Morrisons.

Wandering down from Nutfield woods
With his household and his goods,
Never was it clearly told
How within our quiet fold
Came to be a Morrison.

Once a soldier, blame him not
That the Quaker he forgot,
When, to think of battles won,
And the red-coats on the run,
Laughed aloud Friend Morrison.

From gray Lewis over sea
Bore his sires their family tree,
On the rugged boughs of it
Grafting Irish mirth and wit,
And the brogue of Morrison.

Half a genius, quick to plan,
Blundering like an Irishman,
But with canny shrewdness lent
By his far-off Scotch descent,
Such was Abram Morrison.

Back and forth to daily meals,
Rode his cherished pig on wheels,
And to all who came to see
“Aisier for the pig an’ me,
Sure it is,” said Morrison.

Simple-hearted, boy o’er-grown,
With a humor quite his own,
Of our sober-stepping ways,
Speech and look and cautious phrase,
Slow to learn was Morrison.

Much we loved his stories told
Of a country strange and old,
Where the fairies danced till dawn,
And the goblin Leprecaun
Looked, we thought, like Morrison.

Or wild tales of feud and fight,
Witch and troll and second sight
Whispered still where Stornoway
Looks across its stormy bay,
Once the home of Morrisons.

First was he to sing the praise
Of the Powow’s winding ways;
And our straggling village took
City grandeur to the look
Of its poet Morrison.

All his words have perished. Shame
On the saddle-bags of Fame,
That they bring not to our time
One poor couplet of the rhyme
Made by Abram Morrison!

When, on calm and fair First Days,
Rattled down our one-horse chaise,
Through the blossomed apple-boughs
To the old, brown meeting-house,
There was Abram Morrison.

Underneath his hat’s broad brim
Peered the queer old face of him;
And with Irish jauntiness
Swung the coat-tails of the dress
Worn by Abram Morrison.

Still, in memory, on his feet,
Leaning o’er the elders’ seat,
Mingling with a solemn drone,
Celtic accents all his own,
Rises Abram Morrison.

“Don’t,” he’s pleading, “don’t ye go,
Dear young friends, to sight and show,
Don’t run after elephants,
Learned pigs and presidents
And the likes!” said Morrison.

On his well-worn theme intent,
Simple, child-like, innocent,
Heaven forgive the half-checked smile
Of our careless boyhood, while
Listening to Friend Morrison!

We have learned in later days
Truth may speak in simplest phrase;
That the man is not the less
For quaint ways and home-spun dress,
Thanks to Abram Morrison!

Not to pander nor to please
Come the needed homilies,
With no lofty argument
Is the fitting message sent,
Through such lips as Morrison’s.

Dead and gone! But while its track
Powow keeps to Merrimac,
While Po Hill is still on guard,
Looking land and ocean ward,
They shall tell of Morrison!

After half a century’s lapse,
We are wiser now, perhaps,
But we miss our streets amid
Something which the past has hid,
Lost with Abram Morrison.

Gone forever with the queer
Characters of that old year
Now the many are as one;
Broken is the mould that run
Men like Abram Morrison.

Abram Morrison

The tree of Faith its bare, dry boughs must shed
That nearer heaven the living ones may climb;
The false must fail, though from our shores of time
The old lament be heard, "Great Pan is dead!"
That wail is Error's, from his high place hurled;
This sharp recoil is Evil undertrod;
Our time's unrest, an angel sent of God
Troubling with life the waters of the world.
Even as they list the winds of the Spirit blow
To turn or break our century-rusted vanes;
Sands shift and waste; the rock alone remains
Where, led of Heaven, the strong tides come and go,
And storm-clouds, rent by thunderbolt and wind,
Leave, free of mist, the permanent stars behind.

Therefore I trust, although to outward sense
Both true and false seem shaken; I will hold
With newer light my reverence for the old,
And calmly wait the births of Providence.
No gain is lost; the clear-eyed saints look down
Untroubled on the wreck of schemes and creeds;
Love yet remains, its rosary of good deeds
Counting in task-field and o'erpeopled town;
Truth has charmed life; the Inward Word survives,
And, day by day, its revelation brings;
Faith, hope, and charity, whatsoever things
Which cannot be shaken, stand. Still holy lives
Reveal the Christ of whom the letter told,
And the new gospel verifies the old.

Adjustment

Through the long hall the shuttered windows shed
A dubious light on every upturned head;
On locks like those of Absalom the fair,
On the bald apex ringed with scanty hair,
On blank indifference and on curious stare;
On the pale Showman reading from his stage
The hieroglyphics of that facial page;
Half sad, half scornful, listening to the bruit
Of restless cane-tap and impatient foot,
And the shrill call, across the general din,
"Roll up your curtain! Let the show begin!"
At length a murmur like the winds that break
Into green waves the prairie's grassy lake,
Deepened and swelled to music clear and loud,
And, as the west-wind lifts a summer cloud,
The curtain rose, disclosing wide and far
A green land stretching to the evening star,
Fair rivers, skirted by primeval trees
And flowers hummed over by the desert bees,
Marked by tall bluffs whose slopes of greenness show
Fantastic outcrops of the rock below;
The slow result of patient Nature's pains,
And plastic fingering of her sun and rains;
Arch, tower, and gate, grotesquely windowed hall,
And long escarpment of half-crumbled wall,
Huger than those which, from steep hills of vine,
Stare through their loopholes on the travelled Rhine;
Suggesting vaguely to the gazer's mind
A fancy, idle as the prairie wind,
Of the land's dwellers in an age unguessed;
The unsung Jotuns of the mystic West.
Beyond, the prairie's sea-like swells surpass
The Tartar's marvels of his Land of Grass,
Vast as the sky against whose sunset shores
Wave after wave the billowy greenness pours;
And, onward still, like islands in that main
Loom the rough peaks of many a mountain chain,
Whence east and west a thousand waters run
From winter lingering under summer's sun.
And, still beyond, long lines of foam and sand
Tell where Pacific rolls his waves a-land,
From many a wide-lapped port and land-locked bay,
Opening with thunderous pomp the world's highway
To Indian isles of spice, and marts of far Cathay.
"Such," said the Showman, as the curtain fell,
"Is the new Canaan of our Israel;
The land of promise to the swarming North,
Which, hive-like, sends its annual surplus forth,
To the poor Southron on his worn-out soil,
Scathed by the curses of unnatural toil;
To Europe's exiles seeking home and rest,
And the lank nomads of the wandering West,
Who, asking neither, in their love of change
And the free bison's amplitude of range,
Rear the log-hut, for present shelter meant,
Not future comfort, like an Arab's tent."
Then spake a shrewd on-looker, "Sir," said he,
"I like your picture, but I fain would see
A sketch of what your promised land will be
When, with electric nerve, and fiery-brained,
With Nature's forces to its chariot chained,
The future grasping, by the past obeyed,
The twentieth century rounds a new decade."
Then said the Showman, sadly: "He who grieves
Over the scattering of the sibyl's leaves
Unwisely mourns. Suffice it, that we know
What needs must ripen from the seed we sow;
That present time is but the mould wherein
We cast the shapes of holiness and sin.
A painful watcher of the passing hour,
Its lust of gold, its strife for place and power;
Its lack of manhood, honor, reverence, truth,
Wise-thoughted age, and generous-hearted youth;
Nor yet unmindful of each better sign,
The low, far lights, which on th' horizon shine,
Like those which sometimes tremble on the rim
Of clouded skies when day is closing dim,
Flashing athwart the purple spears of rain
The hope of sunshine on the hills again:
I need no prophet's word, nor shapes that pass
Like clouding shadows o'er a magic glass;
For now, as ever, passionless and cold,
Doth the dread angel of the future hold
Evil and good before us, with no voice
Or warning look to guide us in our choice;
With spectral hands outreaching through the gloom
The shadowy contrasts of the coming doom.
Transferred from these, it now remains to give
The sun and shade of Fate's alternative."
Then, with a burst of music, touching all
The keys of thrifty life, the mill-stream's fall,
The engine's pant along its quivering rails,
The anvil's ring, the measured beat of flails,
The sweep of scythes, the reaper's whistled tune,
Answering the summons of the bells of noon,
The woodman's hail along the river shores,
The steamboat's signal, and the dip of oars:
Slowly the curtain rose from off a land
Fair as God's garden. Broad on either hand
The golden wheat-fields glimmered in the sun,
And the tall maize its yellow tassels spun.
Smooth highways set with hedge-rows living green,
With steepled towns through shaded vistas seen,
The school-house murmuring with its hive-like swarm,
The brook-bank whitening in the grist-mill's storm,
The painted farm-house shining through the leaves
Of fruited orchards bending at its eaves,
Where live again, around the Western hearth,
The homely old-time virtues of the North;
Where the blithe housewife rises with the day,
And well-paid labor counts his task a play.
And, grateful tokens of a Bible free,
And the free Gospel of Humanity,
Of

Aechdeacon Barbour

The day's sharp strife is ended now,
Our work is done, God knoweth how!
As on the thronged, unrestful town
The patience of the moon looks down,
I wait to hear, beside the wire,
The voices of its tongues of fire.
Slow, doubtful, faint,they seem at first:
Be strong, my heart, to know the worst!
Hark! there the Alleghanies spoke;
That sound from lake and prairie broke,
That sunset-gun of triumph rent
The silence of a continent!
That signal from Nebraska sprung,
This, from Nevada's mountain tongue!
Is that thy answer, strong and free,
O loyal heart of Tennessee?
What strange, glad voice is that which calls
From Wagner's grave and Sumter's walls?
From Mississippi's fountain-head
A sound as of the hisoh's tread!
There rustled freedom's Charter Oak!
In that wild burst the Ozarks spoke!
Cheer answers cheer from rise to set
Of sun. We have a country yet!
The praise, O God, be thine alone!
Thou givest not for bread a stone;
Thou hast not led us through the night
To blind us with returning light;
Not through the furnace have we passed,
To perish at its mouth at last.
O night of peace, thy flight restrain!
November's moon, be slow to wane!
Shine on the freedman's cabin floor,
On brows of prayer a blessing pour;
And give, with full assurance blest,
The weary heart of Freedom rest

After Election

The clouds, which rise with thunder, slake
Our thirsty souls with rain;
The blow most dreaded falls to break
From off our limbs a chain;
And wrongs of man to man but make
The love of God more plain.
As through the shadowy lens of even
The eye looks farthest into heaven
On gleams of star and depths of blue
The glaring sunshine never knew

All’s Well

PRELUDE

Along the roadside, like the flowers of gold
That tawny Incas for their gardens wrought,
Heavy with sunshine droops the golden-rod,
And the red pennons of the cardinal-flowers
Hang motionless upon their upright staves.
The sky is hot and hazy, and the wind,
Vying-weary with its long flight from the south,
Unfelt; yet, closely scanned, yon maple leaf
With faintest motion, as one stirs in dreams,
Confesses it. The locust by the wall
Stabs the noon-silence with his sharp alarm.
A single hay-cart down the dusty road
Creaks slowly, with its driver fast asleep
On the load’s top. Against the neighboring hill,
Huddled along the stone wall’s shady side,
The sheep show white, as if a snowdrift still
Defied the dog-star. Through the open door
A drowsy smell of flowers-gray heliotrope,
And white sweet clover, and shy mignonette,
Comes faintly in, and silent chorus lends
To the pervading symphony of peace.
No time is this for hands long over-worn
To task their strength; and (unto Him be praise
Who giveth quietness!) the stress and strain
Of years that did the work of centuries
Have ceased, and we can draw our breath once more
Freely and full. So, as yon harvesters
Make glad their nooning underneath the elms
With tale and riddle and old snatch of song,
I lay aside grave themes, and idly turn
The leaves of memory’s sketch-book, dreaming o’er
Old summer pictures of the quiet hills,
And human life, as quiet, at their feet.

And yet not idly all. A farmer’s son,
Proud of field-lore and harvest craft, and feeling
All their fine possibilities, how rich
And restful even poverty and toil
Become when beauty, harmony, and love
Sit at their humble hearth as angels sat
At evening in the patriarch’s tent, when man
Makes labor noble, and his farmer’s frock
The symbol of a Christian chivalry
Tender and just and generous to her
Who clothes with grace all duty; still, I know
Too well the picture has another side,
How wearily the grind of toil goes on
Where love is wanting, how the eye and ear
And heart are starved amidst the plenitude
Of nature, and how hard and colorless
Is life without an atmosphere. I look
Across the lapse of half a century,
And call to mind old homesteads, where no flower
Told that the spring had come, but evil weeds,
Nightshade and rough-leaved burdock in the place
Of the sweet doorway greeting of the rose
And honeysuckle, where the house walls seemed
Blistering in sun, without a tree or vine
To cast the tremulous shadow of its leaves
Across the curtainless windows, from whose panes
Fluttered the signal rags of shiftlessness.
Within, the cluttered kitchen-floor, unwashed
(Broom-clean I think they called it); the best room
Stifling with cellar damp, shut from the air
In hot midsummer, bookless, pictureless,
Save the inevitable sampler hung
Over the fireplace, or a mourning piece,
A green-haired woman, peony-cheeked, beneath
Impossible willows; the wide-throated hearth
Bristling with faded pine-boughs half concealing
The piled-up rubbish at the chimney’s back;
And, in sad keeping with all things about them,
Shrill, querulous-women, sour and sullen men,
Untidy, loveless, old before their time,
With scarce a human interest save their own
Monotonous round of small economies,
Or the poor scandal of the neighborhood;
Blind to the beauty everywhere revealed,
Treading the May-flowers with regardless feet;
For them the song-sparrow and the bobolink
Sang not, nor winds made music in the leaves;
For them in vain October’s holocaust
Burned, gold and crimson, over all the hills,
The sacramental mystery of the woods.
Church-goers, fearful of the unseen Powers,
But grumbling over pulpit-tax and pew-rent,
Saving, as shrewd economists, their souls
And winter pork with the least possible outlay
Of salt and sanctity; in daily life
Showing as little actual comprehension
Of Christian charity and love and duty,
As if the Sermon on the Mount had been
Outdated like a last year’s almanac
Rich in broad woodlands and in half-tilled fields,
And yet so pinched and bare and comfortless,
The veriest straggler limping on his rounds,
The sun and air his sole inheritance,
Laughed at a poverty that paid its taxes,
And hugged his rags in self-complacency!

Not such should be the homesteads of a land
Where whoso wisely wills and acts may dwell
As king and lawgiver, in broad-acred state,
With beauty, art, taste, culture, books, to make
His hour of leisure richer than a life
Of fourscore to the barons of old time,
Our yeoman should be equal to his home
Set in the fair, green valleys, purple walled,
A man to match his mountains, not to creep
Dwarfed and abased below them. I would fain
In this light way (of which I needs must own
With the knife-grinder of whom Canning sings,
“Story, God bless you! I have none to tell you!”)
Invite the eye to see and heart to feel
The beauty and the joy within their reach,
Home, and home loves, and the beatitudes
Of nature free to all. Haply in years
That wait to take the places of our own,
Heard where some breezy

Among The Hills

As they who watch by sick-beds find relief
Unwittingly from the great stress of grief
And anxious care, in fantasies outwrought
From the hearth’s embers flickering low, or caught
From whispering wind, or tread of passing feet,
Or vagrant memory calling up some sweet
Snatch of old song or romance, whence or why
They scarcely know or ask, so, thou and I,
Nursed in the faith that Truth alone is strong
In the endurance which outwearies Wrong,
With meek persistence baffling brutal force,
And trusting God against the universe,
We, doomed to watch a strife we may not share
With other weapons than the patriot’s prayer,
Yet owning, with full hearts and moistened eyes,
The awful beauty of self-sacrifice,
And wrung by keenest sympathy for all
Who give their loved ones for the living wall
’Twixt law and treason, in this evil day
May haply find, through automatic play
Of pen and pencil, solace to our pain,
And hearten others with the strength we gain.
I know it has been said our times require
No play of art, nor dalliance with the lyre,
No weak essay with Fancy’s chloroform
To calm the hot, mad pulses of the storm,
But the stern war-blast rather, such as sets
The battle’s teeth of serried bayonets,
And pictures grim as Vernet’s. Yet with these
Some softer tints may blend, and milder keys
Relieve the storm-stunned ear. Let us keep sweet,
If so we may, our hearts, even while we eat
The bitter harvest of our own device
And half a century’s moral cowardice.
As Nürnberg sang while Wittenberg defied,
And Kranach painted by his Luther’s side,
And through the war-march of the Puritan
The silver stream of Marvell’s music ran,
So let the household melodies be sung,
The pleasant pictures on the wall be hung
So let us hold against the hosts of night
And slavery all our vantage-ground of light.
Let Treason boast its savagery, and shake
From its flag-folds its symbol rattlesnake,
Nurse its fine arts, lay human skins in tan,
And carve its pipe-bowls from the bones of man,
And make the tale of Fijian banquets dull
By drinking whiskey from a loyal skull,
But let us guard, till this sad war shall cease,
(God grant it soon!) the graceful arts of peace
No foes are conquered who the victors teach
Their vandal manners and barbaric speech.

And while, with hearts of thankfulness, we bear
Of the great common burden our full share,
Let none upbraid us that the waves entice
Thy sea-dipped pencil, or some quaint device,
Rhythmic, and sweet, beguiles my pen away
From the sharp strifes and sorrows of to-day.
Thus, while the east-wind keen from Labrador
Sings it the leafless elms, and from the shore
Of the great sea comes the monotonous roar
Of the long-breaking surf, and all the sky
Is gray with cloud, home-bound and dull, I try
To time a simple legend to the sounds
Of winds in the woods, and waves on pebbled bounds,
A song for oars to chime with, such as might
Be sung by tired sea-painters, who at night
Look from their hemlock camps, by quiet cove
Or beach, moon-lighted, on the waves they love.
(So hast thou looked, when level sunset lay
On the calm bosom of some Eastern bay,
And all the spray-moist rocks and waves that rolled
Up the white sand-slopes flashed with ruddy gold.)
Something it has a flavor of the sea,
And the sea’s freedom, which reminds of thee.
Its faded picture, dimly smiling down
From the blurred fresco of the ancient town,
I have not touched with warmer tints in vain,
If, in this dark, sad year, it steals one thought from pain.
.         .         .         .         .
Her fingers shame the ivory keys
They dance so light along;
The bloom upon her parted lips
Is sweeter than the song.

O perfumed suitor, spare thy smiles!
Her thoughts are not of thee;
She better loves the salted wind,
The voices of the sea.

Her heart is like an outbound ship
That at its anchor swings;
The murmur of the stranded shell
Is in the song she sings.

She sings, and, smiling, hears her praise,
But dreams the while of one
Who watches from his sea-blown deck
The icebergs in the sun.

She questions all the winds that blow,
And every fog-wreath dim,
And bids the sea-birds flying north
Bear messages to him.

She speeds them with the thanks of men
He perilled life to save,
And grateful prayers like holy oil
To smooth for him the wave.

Brown Viking of the fishing-smack!
Fair toast of all the town!
The skipper’s jerkin ill beseems
The lady’s silken gown!

But ne’er shall Amy Wentworth wear
For him the blush of shame
Who dares to set his manly gifts
Against her ancient name.

The stream is brightest at its spring,
And blood is not like wine;
Nor honored less than he who heirs
Is he who founds a line.

Full lightly shall the prize be won,
If love be Fortune’s spur;
And never maiden stoops to him
Who lifts himself to her.

Her home is brave in Jaffrey Street,
With stately stairways worn
By feet of old Colonial knights
And ladies gentle-born.

Still green about its ample porch
The English ivy twines,
Trained back to show in English oak
The herald’s carven

Amy Wentworth - To William Bradford

George Fuller

Haunted of Beauty, like the marvellous youth
Who sang Saint Agnes' Eve! How passing fair
Her shapes took color in thy homestead air!
How on thy canvas even her dreams were truth!
Magician! who from commonest elements
Called up divine ideals, clothed upon
By mystic lights soft blending into one
Womanly grace and child-like innocence.
Teacher I thy lesson was not given in vain.
Beauty is goodness; ugliness is sin;
Art's place is sacred: nothing foul therein
May crawl or tread with bestial feet profane.
If rightly choosing is the painter's test,
Thy choice, O master, ever was the best

John Greenleaf Whittier