Our fathers wrung their bread from stocks and stones
And fenced their gardens with the Redmen's bones;
Embarking from the Nether Land of Holland,
Pilgrims unhouseled by Geneva's night,
They planted here the Serpent's seeds of light;
And here the pivoting searchlights probe to shock
The riotous glass houses built on rock,
And candles gutter by an empty altar,
And light is where the landless blood of Cain
Is burning, burning the unburied grain.

Children Of Light

My Dolphin, you only guide me by surprise,
a captive as Racine, the man of craft,
drawn through his maze of iron composition
by the incomparable wandering voice of Phèdre.
When I was troubled in mind, you made for my body
caught in its hangman's-knot of sinking lines,
the glassy bowing and scraping of my will....
I have sat and listened to too many
words of the collaborating muse,
and plotted perhaps too freely with my life,
not avoiding injury to others,
not avoiding injury to myself
to ask compassion... this book, half fiction,
an eelnet made by man for the eel fighting
my eyes have seen what my hand did.

Dolphin

Those blessèd structures, plot and rhyme
why are they no help to me now
I want to make
something imagined, not recalled?
I hear the noise of my own voice:
The painter's vision is not a lens,
it trembles to caress the light.
But sometimes everything I write
with the threadbare art of my eye
seems a snapshot,
lurid, rapid, garish, grouped,
heightened from life,
yet paralyzed by fact.
All's misalliance.
Yet why not say what happened?
Pray for the grace of accuracy
Vermeer gave to the sun's illumination
stealing like the tide across a map
to his girl solid with yearning.
We are poor passing facts,
warned by that to give
each figure in the photograph
his living name.

Epilogue

Relinquunt Ommia Servare Rem Publicam.

The old South Boston Aquarium stands
in a Sahara of snow now. Its broken windows are boarded.
The bronze weathervane cod has lost half its scales.
The airy tanks are dry.
Once my nose crawled like a snail on the glass;
my hand tingled to burst the bubbles
drifting from the noses of the crowded, compliant fish.

My hand draws back. I often sign still
for the dark downward and vegetating kingdom
of the fish and reptile. One morning last March,
I pressed against the new barbed and galvanized

fence on the Boston Common. Behind their cage,
yellow dinosaur steamshovels were grunting
as they cropped up tons of mush and grass
to gouge their underworld garage.

Parking spaces luxuriate like civic
sandpiles in the heart of Boston.
a girdle of orange, Puritan-pumpkin colored girders
braces the tingling Statehouse,

shaking over the excavations, as it faces Colonel Shaw
and his bell-cheeked Negro infantry
on St. Gaudens' shaking Civil War relief,
propped by a plank splint against the garage's earthquake.

Two months after marching through Boston,
half of the regiment was dead;
at the dedication,
William James could almost hear the bronze Negroes breathe.

Their monument sticks like a fishbone
in the city's throat.
Its Colonel is a lean
as a compass-needle.

He has an angry wrenlike vigilance,
a greyhound's gentle tautness;
he seems to wince at pleasure,
and suffocate for privacy.

He is out of bounds now. He rejoices in man's lovely,
peculiar power to choose life and die
when he leads his black soldiers to death,
he cannot bend his back.

On a thousand small town New England greens
the old white churches hold their air
of sparse, sincere rebellion; frayed flags
quilt the graveyards of the Grand Army of the Republic

The stone statutes of the abstract Union Soldier
grow slimmer and younger each year-
wasp-waisted, they doze over muskets
and muse through their sideburns…

Shaw's father wanted no monument
except the ditch,
where his son's body was thrown
and lost with his "niggers."

The ditch is nearer.
There are no statutes for the last war here;
on Boylston Street, a commercial photograph
shows Hiroshima boiling

over a Mosler Safe, the "Rock of Ages"
that survived the blast. Space is nearer.
when I crouch to my television set,
the drained faces of Negro school-children rise like balloons.

Colonel Shaw
is riding on his bubble,
he waits
for the blessed break.

The Aquarium is gone. Everywhere,
giant finned cars nose forward like fish;
a savage servility
slides by on grease.

The ancient owls' nest must have burned.
Hastily, all alone,
a glistening armadillo left the scene,
rose-flecked, head down, tail down,

and then a baby rabbit jumped out,
short-eared, to our surprise.
So soft! a handful of intangible ash
with fixed, ignited eyes.

Too pretty, dreamlike mimicry!
O falling fire and piercing cry
and panic, and a weak mailed fist
clenched ignorant against the sky!

For The Union Dead

History has to live with what was here,
clutching and close to fumbling all we had,
it is so dull and gruesome how we die,
unlike writing, life never finishes.
Abel was finished; death is not remote,
a flash-in-the-pan electrifies the skeptic,
his cows crowding like skulls against high-voltage wire,
his baby crying all night like a new machine.
As in our Bibles, white-faced, predatory,
the beautiful, mist-drunken hunter's moon ascends,
a child could give it a face: two holes, two holes,
my eyes, my mouth, between them a skull's no-nose,
O there's a terrifying innocence in my face
drenched with the silver salvage of the mornfrost.

History

Gone now the baby's nurse,
a lioness who ruled the roost
and made the Mother cry.
She used to tie
gobbets of porkrind to bowknots of gauze
three months they hung like soggy toast
on our eight foot magnolia tree,
and helped the English sparrows
weather a Boston winter.

Three months, three months!
Is Richard now himself again?
Dimpled with exaltation,
my daughter holds her levee in the tub.
Our noses rub,
each of us pats a stringy lock of hair
they tell me nothing's gone.
Though I am forty-one,
not forty now, the time I put away
was child's play. After thirteen weeks
my child still dabs her cheeks
to start me shaving. When
we dress her in her sky-blue corduroy,
she changes to a boy,
and floats my shaving brush
and washcloth in the flush...
Dearest I cannot loiter here
in lather like a polar bear.

Recuperating, I neither spin nor toil.
Three stories down below,
a choreman tends our coffin length of soil,
and seven horizontal tulips blow.
Just twelve months ago,
these flowers were pedigreed
imported Dutchmen, now no one need
distinguish them from weed.
Bushed by the late spring snow,
they cannot meet
another year's snowballing enervation.

I keep no rank nor station.
Cured, I am frizzled, stale and small."

Home After Three Months Away

What was is... since 1930;
the boys in my old gang
are senior partners. They start up
bald like baby birds
to embrace retirement.

At the altar of surrender,
I met you
in the hour of credulity.
How your misfortune came out clearly
to us at twenty.

At the gingerbread casino,
how innocent the nights we made it
on our Vesuvio martinis
with no vermouth but vodka
to sweeten the dry gin,

the lash across my face
that night we adored...
soon every night and all,
when your sweet, amorous
repetition changed.

Fertility is not to the forward,
or beauty to the precipitous,
things gone wrong
clothe summer
with gold leaf.

Sometimes
I catch my mind
circling for you with glazed eye,
my lost love hunting
your lost face.

Summer to summer,
the poplars sere
in the glare,
it's a town for the young,
they break themselves against the surf.

No dog knows my smell.

Homecoming

(I.R.A. Bombing)

The British Army now carries two rifles,
one with rubber rabbit-pellets for children,
the other's of course for the Provisionals....
'When they first showed me the boy, I thought oh good,
it's not him because he's blonde
I imagine his hair was singed dark by the bomb.
He had nothing on him to identify him,
except this box of joke trick matches;
he liked to have them on him, even at mass.
The police were unhurried and wonderful,
they let me go on trying to strike a match...
I just wouldn't stop you cling to anything
I couldn't believe I couldn't light one match
only joke matches... Then I knew he was Richard.'

Identification In Belfast

Tamed by Miltown, we lie on Mother's bed;
the rising sun in war paint dyes us red;
in broad daylight her gilded bed-posts shine,
abandoned, almost Dionysian.
At last the trees are green on Marlborough Street,
blossoms on our magnolia ignite
the morning with their murderous five days' white.
All night I've held your hand,
as if you had
a fourth time faced the kingdom of the mad,
its hackneyed speech, its homicidal eye,
and dragged me home alive.... Oh my Petite,
clearest of all God's creatures, still all air and nerve:
you were in our twenties, and I,
once hand on glass
and heart in mouth,
out drank the Rahvs in the heat
of Greenwich Village, fainting at your feet,
too boiled and shy
and poker-faced to make a pass,
while the shrill verve
of your invective scorched the traditional South.

Now twelve years later, you turn your back.
Sleepless, you hold
your pillow to your hollows like a child;
your old-fashioned tirade,
loving, rapid, merciless,
breaks like the Atlantic Ocean on my head.

Man And Wife

Only teaching on Tuesdays, book-worming
in pajamas fresh from the washer each morning,
I hog a whole house on Boston's
"hardly passionate Marlborough Street,"
where even the man
scavenging filth in the back alley trash cans,
has two children, a beach wagon, a helpmate,
and is "a young Republican."
I have a nine months' daughter,
young enough to be my granddaughter.
Like the sun she rises in her flame-flamingo infants' wear.

These are the tranquilized Fifties,
and I am forty. Ought I to regret my seedtime?
I was a fire-breathing Catholic C.O.,
and made my manic statement,
telling off the state and president, and then
sat waiting sentence in the bull pen
beside a negro boy with curlicues
of marijuana in his hair.

Given a year,
I walked on the roof of the West Street Jail, a short
enclosure like my school soccer court,
and saw the Hudson River once a day
through sooty clothesline entanglements
and bleaching khaki tenements.
Strolling, I yammered metaphysics with Abramowitz,
a jaundice-yellow ("it's really tan")
and fly-weight pacifist,
so vegetarian,
he wore rope shoes and preferred fallen fruit.
He tried to convert Bioff and Brown,
the Hollywood pimps, to his diet.
Hairy, muscular, suburban,
wearing chocolate double-breasted suits,
they blew their tops and beat him black and blue.

I was so out of things, I'd never heard
of the Jehovah's Witnesses.
"Are you a C.O.?" I asked a fellow jailbird.
"No," he answered, "I'm a J.W."
He taught me the "hospital tuck,"
and pointed out the T-shirted back
of Murder Incorporated's Czar Lepke,
there piling towels on a rack,
or dawdling off to his little segregated cell full
of things forbidden to the common man:
a portable radio, a dresser, two toy American
flags tied together with a ribbon of Easter palm.
Flabby, bald, lobotomized,
he drifted in a sheepish calm,
where no agonizing reappraisal
jarred his concentration on the electric chair
hanging like an oasis in his air
of lost connections....

Robert Lowell