Of old, when Scarron his companions invited,
Each guest brought his dish, and the feast was united;
If our landlord supplies us with beef, and with fish,
Let each guest bring himself, and he brings the best dish:
Our Dean shall be venison, just fresh from the plains;
Our Burke shall be tongue, with a garnish of brains;
Our Will shall be wild-fowl, of excellent flavour,
And Dick with his pepper shall heighten their savour:
Our Cumberland's sweet-bread its place shall obtain,
And Douglas is pudding, substantial and plain:
Our Garrick's a salad; for in him we see
Oil, vinegar, sugar, and saltness agree:
To make out the dinner, full certain I am,
That Ridge is anchovy, and Reynolds is lamb;
That Hickey's a capon, and by the same rule,
Magnanimous Goldsmith a gooseberry fool.
At a dinner so various, at such a repast,
Who'd not be a glutton, and stick to the last?
Here, waiter! more wine, let me sit while I'm able,
Till all my companions sink under the table;
Then, with chaos and blunders encircling my head,
Let me ponder, and tell what I think of the dead.

Here lies the good Dean, re-united to earth,
Who mix'd reason with pleasure, and wisdom with mirth:
If he had any faults, he has left us in doubt,
At least, in six weeks, I could not find 'em out;
Yet some have declar'd, and it can't be denied 'em,
That sly-boots was cursedly cunning to hide 'em.

Here lies our good Edmund, whose genius was such,
We scarcely can praise it, or blame it too much;
Who, born for the Universe, narrow'd his mind,
And to party gave up what was meant for mankind.
Though fraught with all learning, yet straining his throat
To persuade Tommy Townshend to lend him a vote;
Who, too deep for his hearers, still went on refining,
And thought of convincing, while they thought of dining;
Though equal to all things, for all things unfit,
Too nice for a statesman, too proud for a wit:
For a patriot, too cool; for a drudge, disobedient;
And too fond of the 'right' to pursue the 'expedient'.
In short, 'twas his fate, unemploy'd, or in place, Sir,
To eat mutton cold, and cut blocks with a razor.

Here lies honest William, whose heart was a mint,
While the owner ne'er knew half the good that was in't;
The pupil of impulse, it forc'd him along,
His conduct still right, with his argument wrong;
Still aiming at honour, yet fearing to roam,
The coachman was tipsy, the chariot drove home;
Would you ask for his merits? alas! he had none;
What was good was spontaneous, his faults were his own.

Here lies honest Richard, whose fate I must sigh at;
Alas, that such frolic should now be so quiet!
What spirits were his! what wit and what whim!
Now breaking a jest, and now breaking a limb;
Now wrangling and grumbling to keep up the ball,
Now teasing and vexing, yet laughing at all!
In short, so provoking a devil was Dick,
That we wish'd him full ten times a day at Old Nick;
But, missing his mirth and agreeable vein,
As often we wish'd to have Dick back again.

Here Cumberland lies, having acted his parts,
The Terence of England, the mender of hearts;
A flattering painter, who made it his care
To draw men as they ought to be, not as they are.
His gallants are all faultless, his women divine,
And comedy wonders at being so fine;
Like a tragedy queen he has dizen'd her out,
Or rather like tragedy giving a rout.
His fools have their follies so lost in a crowd
Of virtues and feelings, that folly grows proud;
And coxcombs, alike in their failings alone,
Adopting his portraits, are pleas'd with their own.
Say, where has our poet this malady caught?
Or, wherefore his characters thus without fault?
Say, was it that vainly directing his view
To find out men's virtues, and finding them few,
Quite sick of pursuing each troublesome elf,
He grew lazy at last, and drew from himself?

Here Douglas retires, from his toils to relax,
The scourge of impostors, the terror of quacks:
Come, all ye quack bards, and ye quacking divines,
Come, and dance on the spot where your tyrant reclines:
When Satire and Censure encircl'd his throne,
I fear'd for your safety, I fear'd for my own;
But now he is gone, and we want a detector,
Our Dodds shall be pious, our Kenricks shall lecture;
Macpherson write bombast, and call it a style,
Our Townshend make speeches, and I shall compile;
New Lauders and Bowers the Tweed shall cross over,
No countryman living their tricks to discover;
Detection her taper shall quench to a spark,
And Scotchman meet Scotchman, and cheat in the dark.

Here lies David Garrick, describe me, who can,
An abridgment of all that was pleasant in man;
As an actor, confess'd without rival to shine:
As a wit, if not first, in the very first line:
Yet, with talents like these, and an excellent heart,
The man had his failings, a dupe to his art.
Like an ill-judging beauty, his colours he spread,
And beplaster'd with rouge his own natural red.
On the stage he was natural, simple, affecting;
'Twas only that when he was off he was acting.
With no reason on earth to go out of his

Retaliation

Let school-masters puzzle their brain,
With grammar, and nonsense, and learning;
Good liquor, I stoutly maintain,
Gives 'genus' a better discerning.
Let them brag of their heathenish gods,
Their Lethes, their Styxes, and Stygians:
Their Quis, and their Quaes, and their Quods,
They're all but a parcel of Pigeons.
 Toroddle, toroddle, toroll.

When Methodist preachers come down
A-preaching that drinking is sinful,
I'll wager the rascals a crown
They always preach best with a skinful.
But when you come down with your pence,
For a slice of their scurvy religion,
I'll leave it to all men of sense,
But you, my good friend, are the pigeon.
 Toroddle, toroddle, toroll.

Then come, put the jorum about,
And let us be merry and clever;
Our hearts and our liquors are stout;
Here's the Three Jolly Pigeons for ever.
Let some cry up woodcock or hare,
Your bustards, your ducks, and your widgeons;
But of all the birds in the air,
Here's a health to the Three Jolly Pigeons.
 Toroddle, toroddle, toroll.

Song From 'She Stoops To Conquer'

When lovely woman stoops to folly,
And finds too late that men betray,
What charm can soothe her melancholy,
What art can wash her guilt away?

The only art her guilt to cover,
To hide her shame from every eye,
To give repentance to her lover,
And wring his bosom, is to die.

Song From 'The Vicar Of Wakefield'

Ah me! when shall I marry me?
Lovers are plenty; but fail to relieve me:
He, fond youth, that could carry me,
Offers to love, but means to deceive me.

But I will rally, and combat the ruiner:
Not a look, not a smile shall my passion discover:
She that gives all to the false one pursuing her,
Makes but a penitent, loses a lover.

Song Intended To Have Been Sung In 'She Stoops To Conquer'

Amidst the clamour of exulting joys,
Which triumph forces from the patriot heart,
Grief dares to mingle her soul-piercing voice,
And quells the raptures which from pleasures start.

O WOLFE! to thee a streaming flood of woe,
Sighing we pay, and think e'en conquest dear;
QUEBEC in vain shall teach our breast to glow,
Whilst thy sad fate extorts the heart-wrung tear.

Alive the foe thy dreadful vigour fled,
And saw thee fall with joy-pronouncing eyes:
Yet they shall know thou conquerest, though dead 
Since from thy tomb a thousand heroes rise!

Stanzas On The Taking Of Quebec, And Death Of General Wolfe

THE PERSONS.

FIRST ISRAELITISH PROPHET.
SECOND ISRAELITISH PROPHET.
ISRAELITISH WOMAN.
FIRST CHALDEAN PRIEST.
SECOND CHALDEAN PRIEST.
CHALDEAN WOMAN.
CHORUS OF YOUTHS AND VIRGINS.

SCENE - The Banks of the River Euphrates, near Babylon.


THE CAPTIVITY

ACT I SCENE I.

'Israelites sitting on the Banks of the Euphrates'.

FIRST PROPHET.
RECITATIVE.
Ye captive tribes, that hourly work and weep
Where flows Euphrates murmuring to the deep,
Suspend awhile the task, the tear suspend,
And turn to God, your Father and your Friend.
Insulted, chain'd, and all the world a foe,
Our God alone is all we boast below.

FIRST PROPHET.
AIR.
Our God is all we boast below,
To him we turn our eyes;
And every added weight of woe
Shall make our homage rise.

SECOND PROPHET.
And though no temple richly drest,
Nor sacrifice is here;
We'll make his temple in our breast,
And offer up a tear.
 ['The first stanza repeated by the Chorus.

SECOND PROPHET.
RECITATIVE.
That strain once more; it bids remembrance rise,
And brings my long-lost country to mine eyes.
Ye fields of Sharon, dress'd in flow'ry pride,
Ye plains where Jordan rolls its glassy tide,
Ye hills of Lebanon, with cedars crown'd,
Ye Gilead groves, that fling perfumes around,
These hills how sweet! Those plains how wond'rous fair,
But sweeter still, when Heaven was with us there!

AIR.
O Memory, thou fond deceiver,
Still importunate and vain;
To former joys recurring ever,
And turning all the past to pain;

Hence intruder, most distressing,
Seek the happy and the free:
The wretch who wants each other blessing,
Ever wants a friend in thee.

FIRST PROPHET.
RECITATIVE.
Yet, why complain? What, though by bonds confin'd,
Should bonds repress the vigour of the mind?
Have we not cause for triumph when we see
Ourselves alone from idol-worship free?
Are not this very morn those feasts begun?
Where prostrate error hails the rising sun?
Do not our tyrant lords this day ordain
For superstitious rites and mirth profane?

And should we mourn? Should coward virtue fly,
When impious folly rears her front on high?
No; rather let us triumph still the more,
And as our fortune sinks, our wishes soar.

AIR.
The triumphs that on vice attend
Shall ever in confusion end;
The good man suffers but to gain,
And every virtue springs from pain:

As aromatic plants bestow
No spicy fragrance while they grow;
But crush'd, or trodden to the ground,
Diffuse their balmy sweets around.

SECOND PROPHET.
RECITATIVE.
But hush, my sons, our tyrant lords are near;
The sounds of barb'rous pleasure strike mine ear;
Triumphant music floats along the vale;
Near, nearer still, it gathers on the gale;
The growing sound their swift approach declares; 
Desist, my sons, nor mix the strain with theirs.

'Enter' CHALDEAN PRIESTS 'attended'.

FIRST PRIEST.
AIR.
Come on, my companions, the triumph display;
Let rapture the minutes employ;
The sun calls us out on this festival day,
And our monarch partakes in the joy.

SECOND PRIEST.
Like the sun, our great monarch all rapture supplies,
Both similar blessings bestow;
The sun with his splendour illumines the skies,
And our monarch enlivens below.

A CHALDEAN WOMAN.
AIR.
Haste, ye sprightly sons of pleasure;
Love presents the fairest treasure,
Leave all other joys for me.

A CHALDEAN ATTENDANT.
Or rather, Love's delights despising,
Haste to raptures ever rising
Wine shall bless the brave and free.

FIRST PRIEST.
Wind and beauty thus inviting,
Each to different joys exciting,
Whither shall my choice incline?

SECOND PRIEST.
I'll waste no longer thought in choosing;
But, neither this nor that refusing,
I'll make them both together mine.

RECITATIVE.
But whence, when joy should brighten o'er the land,
This sullen gloom in Judah's captive band?
Ye sons of Judah, why the lute unstrung?
Or why those harps on yonder willows hung?
Come, take the lyre, and pour the strain along,
The day demands it; sing us Sion's song.
Dismiss your griefs, and join our warbling choir,
For who like you can wake the sleeping lyre?

SECOND PROPHET.
Bow'd down with chains, the scorn of all mankind,
To want, to toil, and every ill consign'd,
Is this a time to bid us raise the strain,
Or mix in rites that Heaven regards with pain?
No, never! May this hand forget each art
That speeds the power of music to the heart,
Ere I forget the land that gave me birth,
Or join with sounds profane its sacred mirth!

FIRST PRIEST.
Insulting slaves! If gentler methods fail,
The whips and angry tortures shall prevail.
 ['Exeunt Chaldeans'

FIRST PROPHET.
Why, let them come, one good remains to cheer;
We fear the Lord, and know no other fear.

CHORUS.
Can whips or tortures hurt the mind
On God's supporting breast reclin'd?
Stand fast, and let our tyrants see
That fortitude is victory.
 ['Exeunt'.


ACT II.

'Scene as before'.

CHORUS OF ISRAELITES.
O PEACE of mind, angelic guest!
Thou soft companion of the breast!
Dispense thy balmy store.
Wing all our thoughts to reach the skies,
Till earth, receding from our eyes,
Shall vanish

The Captivity An Oratorio

John Trott was desired by two witty peers
To tell them the reason why asses had ears?
'An't please you,' quoth John, 'I'm not given to letters,
Nor dare I pretend to know more than my betters;
Howe'er, from this time I shall ne'er see your graces,
As I hope to be saved! without thinking on asses.'

The Clown's Reply

Sweet Auburn! loveliest village of the plain,
Where health and plenty cheer'd the labouring swain,
Where smiling spring its earliest visit paid,
And parting summer's lingering blooms delay'd:
Dear lovely bowers of innocence and ease,
Seats of my youth, when every sport could please,
How often have I loiter'd o'er thy green,
Where humble happiness endear'd each scene;
How often have I paus'd on every charm,
The shelter'd cot, the cultivated farm,
The never-failing brook, the busy mill,
The decent church that topp'd the neighbouring hill,
The hawthorn bush, with seats beneath the shade,
For talking age and whisp'ring lovers made;
How often have I bless'd the coming day,
When toil remitting lent its turn to play,
And all the village train, from labour free,
Led up their sports beneath the spreading tree;
While many a pastime circled in the shade,
The young contending as the old survey'd;
And many a gambol frolick'd o'er the ground,
And sleights of art and feats of strength went round;
And still as each repeated pleasure tir'd,
Succeeding sports the mirthful band inspir'd;
The dancing pair that simply sought renown,
By holding out to tire each other down;
The swain mistrustless of his smutted face,
While secret laughter titter'd round the place;
The bashful virgin's side-long looks of love,
The matron's glance that would those looks reprove:
These were thy charms, sweet village; sports like these,
With sweet succession, taught e'en toil to please;
These round thy bowers their cheerful influence shed,
These were thy charms--But all these charms are fled.

Sweet smiling village, loveliest of the lawn,
Thy sports are fled, and all thy charms withdrawn;
Amidst thy bowers the tyrant's hand is seen,
And desolation saddens all thy green:
One only master grasps the whole domain,
And half a tillage stints thy smiling plain:
No more thy glassy brook reflects the day,
But chok'd with sedges, works its weedy way.
Along thy glades, a solitary guest,
The hollow-sounding bittern guards its nest;
Amidst thy desert walks the lapwing flies,
And tires their echoes with unvaried cries.
Sunk are thy bowers in shapeless ruin all,
And the long grass o'ertops the mould'ring wall;
And trembling, shrinking from the spoiler's hand,
Far, far away, thy children leave the land.

Ill fares the land, to hast'ning ills a prey,
Where wealth accumulates, and men decay:
Princes and lords may flourish, or may fade;
A breath can make them, as a breath has made;
But a bold peasantry, their country's pride,
When once destroy'd, can never be supplied.

A time there was, ere England's griefs began,
When every rood of ground maintain'd its man;
For him light labour spread her wholesome store,
Just gave what life requir'd, but gave no more:
His best companions, innocence and health;
And his best riches, ignorance of wealth.

But times are alter'd; trade's unfeeling train
Usurp the land and dispossess the swain;
Along the lawn, where scatter'd hamlets rose,
Unwieldy wealth, and cumbrous pomp repose;
And every want to opulence allied,
And every pang that folly pays to pride.
Those gentle hours that plenty bade to bloom,
Those calm desires that ask'd but little room,
Those healthful sports that grac'd the peaceful scene,
Liv'd in each look, and brighten'd all the green;
These, far departing, seek a kinder shore,
And rural mirth and manners are no more.

Sweet AUBURN!    parent of the blissful hour,
Thy glades forlorn confess the tyrant's power.
Here as I take my solitary rounds,
Amidst thy tangling walks, and ruin'd grounds,
And, many a year elaps'd, return to view
Where once the cottage stood, the hawthorn grew,
Remembrance wakes with all her busy train,
Swells at my breast, and turns the past to pain.

In all my wand'rings round this world of care,
In all my griefs--and GOD has given my share--
I still had hopes my latest hours to crown,
Amidst these humble bowers to lay me down;
To husband out life's taper at the close,
And keep the flame from wasting by repose.
I still had hopes, for pride attends us still,
Amidst the swains to show my book-learn'd skill,
Around my fire an evening group to draw,
And tell of all I felt, and all I saw;
And, as a hare, whom hounds and horns pursue,
Pants to the place from whence at first she flew,
I still had hopes, my long vexations pass'd,
Here to return--and die at home at last.

O blest retirement, friend to life's decline,
Retreats from care, that never must be mine,
How happy he who crowns in shades like these,
A youth of labour with an age of ease;
Who quits a world where strong temptations try
And, since 'tis hard to combat, learns to fly!
For him no wretches, born to work and weep,
Explore the mine, or tempt the dangerous deep;
No surly porter stands in guilty state
To spurn imploring famine from the gate;
But on he moves to meet his latter end,
Angels around befriending Virtue's friend;
Bends to the grave with unperceiv'd decay,
While Resignation gently slopes the way;
And, all his prospects bright'ning to the

The Deserted Village

Secluded from domestic strife,
Jack Book-worm led a college life;
A fellowship at twenty-five
Made him the happiest man alive;
He drank his glass and crack'd his joke,
And freshmen wonder'd as he spoke.

Such pleasures, unalloy'd with care,
Could any accident impair?
Could Cupid's shaft at length transfix
Our swain, arriv'd at thirty-six?
O had the archer ne'er come down
To ravage in a country town!
Or Flavia been content to stop
At triumphs in a Fleet-street shop.
O had her eyes forgot to blaze!
Or Jack had wanted eyes to gaze.
O!    But let exclamation cease,
Her presence banish'd all his peace.
So with decorum all things carried;
Miss frown'd, and blush'd, and then was    married.

Need we expose to vulgar sight
The raptures of the bridal night?
Need we intrude on hallow'd ground,
Or draw the curtains clos'd around?
Let it suffice, that each had charms;
He clasp'd a goddess in his arms;
And though she felt his usage rough,
Yet in a man 'twas well enough.

The honey-moon like lightning flew,
The second brought its transports too.
A third, a fourth, were not amiss,
The fifth was friendship mix'd with bliss:
But when a twelvemonth pass'd away,
Jack found his goddess made of clay;
Found half the charms that deck'd her face
Arose from powder, shreds, or lace;
But still the worst remain'd behind,
That very face had robb'd her mind.

Skill'd in no other arts was she
But dressing, patching, repartee;
And, just as humour rose or fell,
By turns a slattern or a belle;
'Tis true she dress'd with modern grace,
Half naked at a ball or race;
But when at home, at board or bed,
Five greasy nightcaps wrapp'd her head.
Could so much beauty condescend
To be a dull domestic friend?
Could any curtain-lectures bring
To decency so fine a thing?
In short, by night, 'twas fits or fretting;
By day, 'twas gadding or coquetting.
Fond to be seen, she kept a bevy
Of powder'd coxcombs at her levy;
The 'squire and captain took their stations,
And twenty other near relations;
Jack suck'd his pipe, and often broke
A sigh in suffocating smoke;
While all their hours were pass'd between
Insulting repartee or spleen.

Thus as her faults each day were known,
He thinks her features coarser grown;
He fancies every vice she shows,
Or thins her lip, or points her nose:
Whenever rage or envy rise,
How wide her mouth, how wild her eyes!
He knows not how, but so it is,
Her face is grown a knowing phiz;
And, though her fops are wond'rous civil,
He thinks her ugly as the devil.

Now, to perplex the ravell'd noose,
As each a different way pursues,
While sullen or loquacious strife,
Promis'd to hold them on for life,
That dire disease, whose ruthless power
Withers the beauty's transient flower:
Lo! the small-pox, whose horrid glare
Levell'd its terrors at the fair;
And, rifling ev'ry youthful grace,
Left but the remnant of a face.

The glass, grown hateful to her sight,
Reflected now a perfect fright:
Each former art she vainly tries
To bring back lustre to her eyes.
In vain she tries her paste and creams,
To smooth her skin, or hide its seams;
Her country beaux and city cousins,
Lovers no more, flew off by dozens:
The 'squire himself was seen to yield,
And e'en the captain quit the field.

Poor Madam, now condemn'd to hack
The rest of life with anxious Jack,
Perceiving others fairly flown,
Attempted pleasing him alone.
Jack soon was dazzl'd to behold
Her present face surpass the old;
With modesty her cheeks are dy'd,
Humility displaces pride;
For tawdry finery is seen
A person ever neatly clean:
No more presuming on her sway,
She learns good-nature every day;
Serenely gay, and strict in duty,
Jack finds his wife a perfect beauty.

The Double Transformation - A Tale

Thanks, my Lord, for your venison, for finer or fatter
Never rang'd in a forest, or smok'd in a platter;
The haunch was a picture for painters to study,
The fat was so white, and the lean was so ruddy.
Though my stomach was sharp, I could scarce help regretting
To spoil such a delicate picture by eating;
I had thoughts, in my chambers, to place it in view,
To be shown to my friends as a piece of 'virtu';
As in some Irish houses, where things are so so,
One gammon of bacon hangs up for a show:
But for eating a rasher of what they take pride in,
They'd as soon think of eating the pan it is fried in.
But hold let me pause Don't I hear you pronounce
This tale of the bacon a damnable bounce?
Well, suppose it a bounce sure a poet may try,
By a bounce now and then, to get courage to fly.

But, my Lord, it's no bounce: I protest in my turn,
It's a truth and your Lordship may ask Mr. Byrne.
To go on with my tale as I gaz'd on the haunch,
I thought of a friend that was trusty and staunch;
So I cut it, and sent it to Reynolds undress'd,
To paint it, or eat it, just as he lik'd best.
Of the neck and the breast I had next to dispose;
'Twas a neck and a breast that might rival M r 's:
But in parting with these I was puzzled again,
With the how, and the who, and the where, and the when.
There's H d, and C y, and H rth, and H ff,
I think they love venison I know they love beef;
There's my countryman H gg ns Oh! let him alone,
For making a blunder, or picking a bone.
But hang it to poets who seldom can eat,
Your very good mutton's a very good treat;
Such dainties to them, their health it might hurt,
It's like sending them ruffles, when wanting a shirt.
While thus I debated, in reverie centred,
An acquaintance, a friend as he call'd himself, enter'd;
An under-bred, fine-spoken fellow was he,
And he smil'd as he look'd at the venison and me.
'What have we got here? Why, this is good eating!
Your own, I suppose or is it in waiting?'
'Why, whose should it be?' cried I with a flounce,
'I get these things often;' but that was a bounce:
'Some lords, my acquaintance, that settle the nation,
Are pleas'd to be kind but I hate ostentation.'

'If that be the case, then,' cried he, very gay,
'I'm glad I have taken this house in my way.
To-morrow you take a poor dinner with me;
No words I insist on't precisely at three:
We'll have Johnson, and Burke; all the wits will be there;
My acquaintance is slight, or I'd ask my Lord Clare.
And now that I think on't, as I am a sinner!
We wanted this venison to make out the dinner.
What say you a pasty? it shall, and it must,
And my wife, little Kitty, is famous for crust.
Here, porter! this venison with me to Mile-end;
No stirring I beg my dear friend my dear friend!
Thus snatching his hat, he brush'd off like the wind,
And the porter and eatables follow'd behind.

Left alone to reflect, having emptied my shelf,
'And nobody with me at sea but myself';
Though I could not help thinking my gentleman hasty,
Yet Johnson, and Burke, and a good venison pasty,
Were things that I never dislik'd in my life,
Though clogg'd with a coxcomb, and Kitty his wife.
So next day, in due splendour to make my approach,
I drove to his door in my own hackney coach.

When come to the place where we all were to dine,
(A chair-lumber'd closet just twelve feet by nine:)
My friend bade me welcome, but struck me quite dumb,
With tidings that Johnson and Burke would not come;
'For I knew it,' he cried, 'both eternally fail,
The one with his speeches, and t'other with Thrale;
But no matter, I'll warrant we'll make up the party
With two full as clever, and ten times as hearty.
The one is a Scotchman, the other a Jew,
They['re] both of them merry and authors like you;
The one writes the 'Snarler', the other the 'Scourge';
Some think he writes 'Cinna' he own to 'Panurge'.'
While thus he describ'd them by trade, and by name,
They enter'd and dinner was serv'd as they came.

At the top a fried liver and bacon were seen,
At the bottom was tripe in a swinging tureen;
At the sides there was spinach and pudding made hot;
In the middle a place where the pasty was not.
Now, my Lord as for tripe, it's my utter aversion,
And your bacon I hate like a Turk or a Persian;
So there I sat stuck, like a horse in a pound,
While the bacon and liver went merrily round.
But what vex'd me most was that d 'd Scottish rogue,
With his long-winded speeches, his smiles and his brogue;
And, 'Madam,' quoth he, 'may this bit be my poison,
A prettier dinner I never set eyes on;
Pray a slice of your liver, though may I be curs'd,
But I've eat of your tripe till I'm ready to burst.;
'The tripe,' quoth the Jew, with his chocolate cheek,
'I could dine on this tripe seven days in the week:
I like these here dinners so pretty and small;
But your friend there, the Doctor, eats nothing at all.'
'O Oh!' quoth my friend, 'he'll come on in a trice,
He's keeping a corner for something that's nice:
There's a pasty' 'A pasty!' repeated the Jew,
'I don't care if I keep a

Oliver Goldsmith